000			01962aam a2200361 i 4500
001			ocm51194038
003			EG-ScBUE
005			20260505094906.0
008			030815r20032001enkac f 001 0 eng d
020			_a9780192804631
035			_a(OCoLC)ocm51194038
040			_aUKM _beng _erda _cUKM _dDLC _dTEF _dNLGGC _dBTCTA _dCFT _dYDXCP _dBAKER _dDEBBG _dA7U _dVXX _dVOC _dEG-ScBUE
082	0	4	_a701 _222 _bFRE
100	1		_aFreeland, Cynthia A., _eauthor.
245	1	0	_aArt theory : _ba very short introduction / _cCynthia Freeland.
250			_aReprint edition.
264		1	_aOxford ; _aNew York : _bOxford University Press, _c2003.
300			_a158 pages : _billustrations, portraits ; _c18 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
490	0		_aVery short introductions ; _v83
500			_aOriginally published as: But is it art? 2001.
504			_aIncludes bibliographic references and index.
505	0		_aBlood and beauty -- Paradigms and purposes -- Cultural crossings -- Money markets, museums -- Gender, genius, and Guerrilla Girls -- Cognition, creation, comprehension -- Digitizing and disseminating.
520	1		_a"This book provides the ideal introduction to thinking about art. Cynthia Freeland explains why innovation and controversy in art are constantly in the headlines, and why it matters. She discusses the relationship of art with beauty, culture, money, sex, and new technology, and draws on examples from Rembrandt, Goya, and Damien Hirst to African nail fetishes, Indian Pueblo dancing, and MTV."--BOOK JACKET.
650		7	_aArt _xPhilosophy. _2BUEsh
650		7	_aAesthetics. _2BUEsh
655			_vReading book
856	4	2	_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0907/2003272355-b.html
856	4	1	_3Table of contents only _uhttp://catdir.loc.gov/catdir/enhancements/fy0907/2003272355-t.html
942			_2ddc _cBB
999			_c31195 _d31166