000			01620cam a22003015i 4500
999			_c28444 _d28415
001			19403074
003			EG-ScBUE
005			20200811145230.0
008			161209t20172017inua f b s001 0 eng d
020			_a9780253026859 (pbk. : alk. paper)
040			_aDLC _beng _erda _cDLC _dDLC _dEG-ScBUE
082	0	4	_a070.18 _bNIC _222
100	1		_aNichols, Bill, _d1942- _eauthor.
245	1	0	_aIntroduction to documentary / _cBill Nichols.
250			_aThird edition.
264		1	_aBloomington, Indiana : _bIndiana University Press, _c[2017]
264		4	_cc2017
300			_axvi, 258 pages : _billustrations ; _c26 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
650		7	_aDocumentary films _xHistory and criticism. _2BUEsh _930845
653			_bCOMAME _cJuly2020
655			_vReading book _934232
942			_2ddc _cBB