000			02306cam a2200361 a 4500
999			_c28437 _d28408
001			14503978
003			EG-ScBUE
005			20200805093812.0
008			060817t2006 mau f 001 0 eng d
020			_a9780240806815 (acid-free paper)
020			_a0240806816 (pbk. : acid-free paper)
035			_a(OCoLC)ocm63702639
040			_aUKM _beng _erda _cUKM _dBAKER _dKUT _dIXA _dXVF _dDLC _dEG-ScBUE
082	0	4	_a791.430233 _bDAN _222
100	1		_aDancyger, Ken, _eauthor.
245	1	4	_aThe director's idea : _bthe path to great directing / _cKen Dancyger, New York University, Tisch School of the Arts, New York, New York.
264		1	_aBurlington, MA ; _aOxford, UK : _bFocal Press : _bElsevier, _c[2006]
264		4	_cc2006
300			_axiv, 356 pages ; _c23 cm
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
500			_aIncludes index.
500			_aIncludes appendix.
505	0		_apt. I: What the director does. Introduction -- The director's idea -- The competent director -- The good director -- The great director -- Text interpretation -- The camera -- The actor -- pt. II: The case studies of directing. Sergei Eisenstein : the historical dialectic -- John Ford : poetry and heroism -- George Stevens : the American character : desire and conscience -- Billy Wilder : existence at stake -- Ernst Lubitsch : the life force of romance -- Elia Kazan : drama as life -- François Truffaut : celebrate the child -- Roman Polanski : the aloneness of existence -- Stanley Kubrick : the darkness of modern life -- Steven Spielberg : childhood forever -- Margarethe Von Trotta : historical life and personal life intersect -- Lukas Moodysson : empathy and its limits -- Catherine Breillat : the warfare of sexuality -- Mary Harron : celebrity and banality -- Conclusion -- Appendix: Finding the director's idea.
650		7	_aMotion pictures _xProduction and direction. _2BUEsh
653			_bCOMAME _cJuly2020
655			_vText book _933728
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0665/2006297079-d.html
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2ddc _cTXT