| 000 | 01557cam a2200337 a 4500 | ||
|---|---|---|---|
| 999 |
_c27412 _d27383 |
||
| 001 | 2543983 | ||
| 005 | 20190421135049.0 | ||
| 008 | 941129r20041995enka frb 001 0 eng d | ||
| 010 | _a 94045551 | ||
| 020 | _a0198182406 (acidb-sfree paper) | ||
| 020 | _a019818347X (pbk) | ||
| 020 | _a9780198183471 | ||
| 040 |
_aDLC _beng _cDLC _dDLC _dEG-ScBUE |
||
| 082 | 0 | 4 |
_a791.4301 _bSMI _222 |
| 100 | 1 |
_aSmith, Murray _q(Murray Stuart), _d1962- |
|
| 245 | 1 | 0 |
_aEngaging characters : _bfiction, emotion, and the cinema / _cMurray Smith. |
| 250 | _aReprinted ed. | ||
| 260 |
_aOxford ; _aNew York : _bClarendon Press / Oxford University Press, _c2004. |
||
| 300 |
_aviii, 265 p. : _bill. ; _c24 cm. |
||
| 504 | _aIncludes bibliographical references (p. [243]-254) and index. | ||
| 520 | _aThrillers, horror movies and melodramas evoke characteristic kinds of emotional response, yet emotion is not much examined by film or literary theory. This work discusses emotional responses to films, integrating them into a theory of identification with characters in films and literature. | ||
| 650 | 7 |
_aMotion pictures _xPsychological aspects. _2BUEsh |
|
| 650 | 7 |
_aIdentification (Psychology) _2BUEsh |
|
| 650 | 7 |
_aMotion picture audiences. _2BUEsh |
|
| 651 | _2BUEsh | ||
| 653 |
_bCOMAME _cApril2019 |
||
| 655 | _vReading book | ||
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0606/94045551-d.html |
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0725/94045551-b.html |
| 942 | _2ddc | ||