| 000 | 01933cam a2200349 i 4500 | ||
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| 001 | 12407299 | ||
| 003 | EG-ScBUE | ||
| 005 | 20230314105141.0 | ||
| 008 | 010514t2001 cau f b 001 0 eng d | ||
| 020 | _a0941188264 | ||
| 020 | _a9780941188265 | ||
| 040 |
_aDLC _beng _erda _cDLC _dDLC _dEG-ScBUE |
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| 082 | 0 | 4 |
_a778.5344 _bSON _222 |
| 100 | 1 |
_aSonnenschein, David, _eauthor. |
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| 245 | 1 | 0 |
_aSound design : _bthe expressive power of music, voice, and sound effects in cinema / _cby David Sonnenschein. |
| 264 | 7 |
_aStudio City, CA : _bMichael Wiese Productions, _c[2001] |
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| 264 | 4 | _cc2001 | |
| 300 |
_axxi, 245 pages ; _c23 cm |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediated _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aCh. 1. Creating the Sound Design Step-By-Step -- Ch. 2. Expanding Creativity -- Ch. 3. From Vibration to Sensation -- Ch. 4. From Sensation to Perception -- Ch. 5. Music to Our Ears -- Ch. 6. The Human Voice -- Ch. 7. Sound and Image -- Ch. 8. Sound and Narrative -- Ch. 9. The Future of Sound Design. | |
| 520 | _a"The clash of light sabers in the electrifying duels of Star Wars. The chilling bass line signifying the lurking menace of the shark in Jaws. The otherworldly yet familiar pleas to "phone home" in the enchanting E.T." "These are examples of the different ways sound can contribute to the overall dramatic impact of a film. To craft a distinctive atmosphere, sound design is as important as art direction and cinematography - and it can also be an effective tool to express the personalities of your characters."--Jacket. | ||
| 650 | 7 |
_aSound motion pictures. _2BUEsh |
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| 650 | 7 |
_aSound _xRecording and reproducing. _2BUEsh _937816 |
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| 650 | 7 |
_aMotion pictures _xSound effects. _2BUEsh |
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| 651 | _2BUEsh | ||
| 653 |
_bCOMAME _cApril2019 |
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| 655 | _vReading book | ||
| 942 |
_2ddc _cBB |
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| 999 |
_c27394 _d27365 |
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