000			03784nam a2200385 i 4500
003			EG-ScBUE
005			20230413100551.0
008			161107t2015 enka f b 001 0 eng d
020			_a9781472575241
040			_aEG-ScBUE _beng _erda _cEG-ScBUE _dEG-ScBUE
082	0	4	_a791.43 _bEDG _222
100	1		_aEdgar-Hunt, Robert, _eauthor.
245	1	4	_aThe language of film / _cRobert Edgar, John Marland, Steven Rawle.
250			_aSecond edition.
264		1	_aLondon ; _aNew York : _bFairchild Books / Bloomsbury Publishing, _c[2015]
264		4	_cc2015
300			_a216 pages : _billustrations ; _c23 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
490	0		_aBasics filmmaking
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: -- Introduction -- Chapter 1 - Semiotics: Images; The Visual Mind; Reading the Signs; Making Meaning; Codes and Filters; Case study: Seven (d: David Fincher, US); Chapter 1 Summary. Chapter 2 - Narrative: Theories of Storytelling; Structuralism; Theories of Structure; Genette's Narrative Discourse; Case Study: The Secret Life of Walter Mitty (dir: Ben Stiller); Chapter 2 Summary. Chapter 3 - Intertextuality: Text; Quotation; Allusion; Cult Film; Genre; Case Study: Citizen Kane (dir: Orson Welles); Chapter 3 Summary. Chapter 4 - Ideology: Ideological Analysis; Realism; Ideology and Genre; Case study: Dead Man's Shoes (dir: Shane Meadows); Chapter 4 Summary. Chapter 5 - Frames and Images: The Shot; Distance, Height and Framing; Mise en Scene; The Mobile Camera Frame; Time and the Long Take; Case Study: Hero (dir: Yimou Zhang); Chapter 5 Summary.Chapter 6 - Sound: Film: An Audio-visual Medium; Sound Properties; Diegetic and Non-diegetic Sound; Off-screen Space and Audio; The voice; Music; Case study: Berberian Sound Studio (dir: David Strickland); Chapter 6 Summary.Chapter 7 - Constructing Meaning: Continuity Editing; Discontinuity Editing; Montage; Pacing; Space; Case study: Psycho (dir: Alfred Hitchcock); Chapter 7 Summary.Conclusion.
520			_a"Becoming an effective filmmaker involves being deliberately mindful of the structures and conventions that allow film to communicate meaning to a global audience. The Language of Film explores complex topics such as semiotics, narrative, intertextuality, ideology and the aesthetics of film in a clear and straightforward style, enabling you to apply these ideas and techniques to your own analysis or film-making. With full-colour film stills, in-depth case studies and a wide range of practical exercises, The Language of Film will help you to make the transition from consumer to practitioner - from someone who just responds to the language of film, to someone who actively uses it. In the second edition, a new chapter examines how sound contributes to narrative and space to tell stories, create imaginary worlds and shape the realist (and often non-realist) effect of cinema. Along with two case studies from the first edition, Seven (dir: David Fincher) and Citizen Kane (dir: Orson Welles), the second edition also includes five new case studies: The Secret Life of Walter Mitty (dir: Ben Stiller), Dead Man's Shoes (dir: Shane Meadows), Hero (dir: Yimou Zhang), Berberian Sound Studio (d: Peter Strickland) and Psycho (d: Alfred Hitchcock)"--
650		7	_aMotion pictures _xSemiotics. _2BUEsh
650		7	_aMotion pictures _xProduction and direction. _2BUEsh _939027
650		7	_aCinematography. _2BUEsh _941691
651			_2BUEsh
653			_bCOMAME _cNovember2016
653			_bHHUUEENN _cFebruary2017
655			_vReading book
700	1		_aMarland, John, _eauthor.
700	1		_aRawle, Steven, _eauthor.
942			_2ddc _cBB
999			_c23042 _d23014