000			02202cam a22003615a 4500
999			_c22440 _d22412
001			013678058
003			EG-ScBUE
005			20200203133111.0
008			050325s2007 enk f bd 001 0 eng d
020			_a9780582894204
040			_aStDuBDS _beng _erda _cStDuBDS _dEG-ScBUE
082	0	4	_a808.1 _bFUR _222
100	1		_aFurniss, Tom, _eauthor. _941300
245	1	0	_aReading poetry : _ban introduction / _cTom Furniss, Michael Bath.
250			_aSecond edition.
264		1	_aMilton Park, Abingdon, Oxon ; _aNew York : _bRoutledge, Taylor and Francis Group, _c2007.
300			_axviii, 628 pages ; _c24 cm
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
500			_aFirst published : London: Prentice Hall, 1996.
500			_aIncludes glossary.
504			_aIncludes bibliographical references and index.
505	0		_apt. 1. Formal Introduction : 1. What Is Poetry? How Do We Read It? -- 2. Rhythm and Metre -- 3. Significant Form: Metre and Syntax -- 4. Creative Form and the Arbitrary Nature of Language -- pt. 2. Textual Strategies: 5. Figurative Language -- 6. Poetic Metaphor -- 7. Hearing Voices in Poetic Texts -- 8. Speakers with Attitude: Tone and Irony -- 9. Ambiguity -- pt. 3. Texts in Contexts/Contexts in Texts: 10. Introducing Contexts -- 11. Genre -- 12. The Sonnet -- 13. Allusion, Influence and Intertextuality -- 14. Poetry, Discourse, History 15. The Locations of Poetry -- 16. Post-Colonial Poetry -- pt. 4. : An Open-ended Conclusion: 17. Closure, Pluralism and Undecidability.
520			_aA guide to the arts of reading, analysing and enjoying poetry. While emphasising the importance of close textual analysis - or reading in slow motion - it demonstrates how an understanding of form, language and context can combine to produce sophisticated and original responses to all types of poetry.
650		7	_aEnglish poetry _xHistory and criticism. _2BUEsh _940331
650		7	_aPoetry _xHistory and criticism. _2BUEsh _940341
651			_2BUEsh
653			_bHHUUEENN _cOctober2016
655			_vReading book
700	1		_aBath, Michael‏, _eauthor. _941326
942			_2ddc _e22 _k808.1 FUR _cBB