000			03659cam a2200361 i 4500
001			17888689
003			EG-ScBUE
005			20230202113750.0
008			130917t2014 enka f 001 0 eng d
020			_a9781472521903 (pbk.)
040			_aDLC _beng _erda _cDLC _dEG-ScBUE
082	0	4	_a777.7 _222 _bPUR
100	1		_aPurves, Barry, _eauthor. _938343
245	1	0	_aStop-motion animation : _bframe by frame film-making with puppets and models / _cBarry J. C. Purves.
250			_aSecond edition.
264		1	_aLondon ; _aNew York : _bFairchild Books / Bloomsbury, _c[2014]
264		4	_cc2014
300			_a227 pages : _bcolor illustrations ; _c24 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
490	0		_aBasics animation
500			_aIncludes index.
505	8		_aMachine generated contents note: -- Introduction Chapter 1: What is stop-motion?The beginnings The illusion of movement PhysicalityA continuous performance Special effects Wholly animated filmsProject 1: Find your styleChapter 2: Focusing the idea Stories and themes Approaching the story A change of perspective Out of the mouths of... talking umbrellas? Atmosphere and substance EconomicsProject 2: What's the story?Chapter 3: The puppetsTelling the story with puppets The physical puppet Telling characteristics Stylised movement Replacements 3D printingEyes Hands Puppet size Clay Other techniques Project 3: Find your leading man (or mouse)Chapter 4: PreparationsWorking with others Sets Costume ColourProject 4: Set the sceneChapter 5: Chapter Tools and techniques Practicalities The camera Apps and other low-cost optionsLighting Sound Dialogue Special effects EditingProject 5: Setting up and getting startedChapter 5: Movement and performanceAnimating on the set Lively movementHelping the movement PerformanceProject 6: Make it read!ConclusionA brief history of stop-motionPicture credits Acknowledgements.
520			_a"Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation"--
650		7	_aStop-motion animation films. _2BUEsh
650		7	_aAnimation (Cinematography) _2BUEsh
650		7	_aCinematography _xSpecial effects. _2BUEsh
651			_2BUEsh
653			_bCOMAME _bGGEN _cJune2015 _cAugust2015
655			_vReading book
942			_2ddc _cBB
999			_c19648 _d19620