| 000 | 01797cam a22003375i 4500 | ||
|---|---|---|---|
| 001 | 17415239 | ||
| 003 | EG-ScBUE | ||
| 005 | 20230111123552.0 | ||
| 008 | 120803t2012 ohuaco f 001 0 eng d | ||
| 020 | _a9781440310614 | ||
| 020 | _a1440310610 | ||
| 040 |
_aDLC _beng _erda _cDLC _dDLC _dEG-ScBUE |
||
| 082 | 0 | 4 |
_222 _a751.4542 _bSAP |
| 100 | 1 |
_aSaper, Chris, _d1952- _eauthor. _938154 |
|
| 245 | 1 | 0 |
_aClassic portrait painting in oils : _bkeys to mastering diverse skin tones / _cChris Saper. |
| 250 | _aFirst edition. | ||
| 264 | 1 |
_aBlue Ash, OH : _bNorth Light Books, _c[2012] |
|
| 264 | 4 | _cc2012 | |
| 300 |
_a143 pages : _bphotographs, portraits, tables ; _c28 cm |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediated _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 500 | _aIncludes index. | ||
| 520 | _aNo medium competes with oil in the world of portrait painting, and oil is best used to demonstrate principles of skin tones. In Chris Saper's second portrait book for North Light, readers will learn to incorporate life studies to improve accuracy in seeing and recording skin tones. Readers will enjoy two demonstrations for each of seven diverse subjects--one from life, and one from a finished portrait from photographs. Readers will enjoy rendering skin tones in oil as they are shown information on palette selection and materials; lighting and posing the model; the live sitting; the photographic sitting; and mini exercises on specific facial features. Includes all-new art, new information on photography, new step-by-step demonstrations and more. | ||
| 650 | 7 |
_aFigure painting _xTechnique. _2BUEsh |
|
| 650 | 7 |
_aHuman skin color. _2BUEsh |
|
| 651 | _2BUEsh | ||
| 653 |
_bCOMAME _cJune2015 |
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| 655 | _vReading book | ||
| 942 |
_2ddc _k751.4542 SAP _cBB |
||
| 999 |
_c19599 _d19571 |
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