03342cam a2200445 i 450000100090000000300090000900500170001800800410003502000180007602000150009403500240010904001220013308200210025510000320027624500490030825000190035726400390037626400110041530000580042633600260048433600330051033700280054333800270057149000170059850000280061550400510064350507950069452009830148965000350247265000450250765000290255265000250258165000280260665300170263465500170265190600450266894200120271399900170272595201540274221443555EG-ScBUE20230516101557.0200221t2020    enka   f b    001 0 eng d  a9780500204566  a050020456X  a(OCoLC)on1180159874  aUKMGBbengerdacUKMGBdOCLCOdOCLCFdINDdYDXdBDXdERASAdNZAUCdOKRdU@MdOCLCOdOCLdCIAdJTHdVFLdDLCdEG-ScBUE04a704.042222bCHA1 aChadwick, Whitney,eauthor.10aWomen, art, and society /cWhitney Chadwick.  aSixth edition. 1aLondon :bThames & Hudson,c[2020] 4c©2020  a599 pages :billustrations (chiefly colour) ;c21 cm.  atextbtxt2rdacontent  astill imagebsti2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier0 aWorld of art  aPrevious edition: 2012.  aIncludes bibliographical references and index.0 aArt history and the woman artist -- The Middle Ages -- The Renaissance ideal -- The other Renaissance -- Domestic genres and women painters in Northern Europe -- Amateurs and academics : a new ideology of femininity in France and England -- Sex, class, and power in Victorian England -- Toward utopia : moral reform and American art in the nineteenth century -- Separate but unequal : woman's sphere and the new art -- Modernism, abstraction, and the new woman -- Modernist representation : the female body -- Gender, race, and modernism after the second World War -- Feminist art in North America and Great Britain -- New directions : a partial overview -- Worlds together, worlds apart -- A place to grow : personal visions, global concerns -- The enduring legacy of feminism -- Epilogue.8 aWhitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment. 7aWomen artistsxHistory.2BUEsh 7aWomen artistsxSocial conditions.2BUEsh 7aFeminism and art.2BUEsh 7aWomen in art.2BUEsh 7aArt and society.2BUEsh  bARTcMay2023  vReading book  a7bcbcccopycatd2encipf20gy-gencatlg  2ddccBB  c30400d30371  00102ddc40708BaccahaMAINbMAINc2NDd2023-05-16ePurchaseg683.00h37380l0o704.042 CHAp000056675r2025-07-15 00:00:00v853.75w2023-05-16yBB