01774cam a22003135i 4500999001700000001000900017003000900026005001700035008004100052020003800093040003800131082002000169100003500189245004900224250001900273264006200292264001000354300004500364336002600409337002800435338002700463504005100490505066000541650006001201653002101261655002401282942001201306952014201318  c28444d2841519403074EG-ScBUE20200811145230.0161209t20172017inua   f b   s001 0 eng d  a9780253026859 (pbk. : alk. paper)  aDLCbengerdacDLCdDLCdEG-ScBUE04a070.18bNIC2221 aNichols, Bill,d1942-eauthor.10aIntroduction to documentary /cBill Nichols.  aThird edition. 1aBloomington, Indiana :bIndiana University Press,c[2017] 4cc2017  axvi, 258 pages :billustrations ;c26 cm  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes bibliographical references and index.0 aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?. 7aDocumentary filmsxHistory and criticism.2BUEsh930845  bCOMAMEcJuly2020  vReading book934232  2ddccBB  00102ddc40708BaccahaMAINbMAINcLOWd2020-07-05ePurchasel1o070.18 NICp000049230r2025-07-15 00:00:00s2021-04-06w2020-07-05yBB