01822cam a22003255i 4500999001700000001001000017003000900027005001700036008004100053020002500094040004500119082002000164100002500184245005500209264006900264300002700333336002600360337002800386338002700414490006000441504005100501520056900552600005501121600007501176650002701251653002801278655001701306942001201323952016101335  c27597d27568016299356EG-ScBUE20190908144147.0130228s2013    enk    f  b   001 0 eng d  a9780415846660 (pbk.)  aStDuBDSbengerdacStDuBDSdUkdEG-ScBUE04a822.33bNEV2221 aNevo, Ruth,eauthor.10aComic transformations in Shakespeare /cRuth Nevo. 1aAbingdon ;aLondon :bRoutledge / Taylor & Francis Group,c2013.  avi, 242 pages ;c22 cm  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier0 aRoutledge library edition.aShakespeare.aComedies ;vV  aIncludes bibliographical references and index.  aFirst published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal compl.17aShakespeare, William,d1564-1616xComedies.2BUEsh17aShakespeare, William,d1564-1616xCharactersxComic characters.2BUEsh 7aHumorous plays.2BUEsh  bHHUUEENNcSeptember2019  vReading book  2ddccBB  00102ddc40708BaccahaMAINbMAINc2NDd2019-09-08ePurchaseg366.00l1m2o822.33 NEVp000048033r2025-07-15 00:00:00s2019-10-14v457.50w2019-09-08yBB