01960cam a22003375i 4500999001700000001001000017003000900027005001700036008004100053020001500094020001800109040003500127082002200162100003700184245013600221250002300357264006500380300005400445336002600499337002800525338002700553504005100580520062100631600006301252650004401315650005901359653002801418655001701446942001201463952014701475  c27596d27567008757541EG-ScBUE20190908142555.0881116r19911990enkae  f b    001 0 eng d  a0521335086  a9780521399135  aUkbengerdacUkdUkdEG-ScBUE04a791.4375bDAV2221 aDavies, Anthony,d1936-eauthor.10aFilming Shakespeare's plays :bthe adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa /cAnthony Davies.  aReprinted edition. 1aCambridge ; aNew York :aCambridge University Press,b1991.  axiii, 219 pages :billustrations, 1 plan ;c24 cm  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes bibliographical references and index.  aDavies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. Central chapters focus on Welles' Macbeth, Othello, and Chimes at Midnight; Olivier's Henry V, Hamlet, and Richard III; Brook's King Lear; and Kurosawa's Throne of Blood. Davies then discusses the dramatic problems the sources for these films pose for the film maker and he examines how these films influenced later theatrical stagings. The book concludes by exploring the demands that distinguish the work of a Shakespearean stage actor from his counterpart's in film.17aShakespeare, William,d1564-1616xFilm adaptations.2BUEsh 7aEnglish dramavFilm adaptations.2BUEsh 7aFilm adaptationsxHistory and criticism.2BUEsh919312  bHHUUEENNcSeptember2019  vReading book  2ddccBB  00102ddc40708BaccahaMAINbMAINc2NDd2019-09-08ePurchaseg84.00l0o791.4375 DAVp000048032r2025-07-15 00:00:00v105.00w2019-09-08yBB