01703cam a2200349 a 4500999001700000001000800017005001700025008004100042010001700083020003500100020002100135020001800156040003300174082002200207100004300229245007700272250001800349260007600367300003500443504006600478520029600544650005100840650003900891650003700930651001000967653002200977655001700999856008901016856010401105942000801209952013601217  c27412d27383254398320190421135049.0941129r20041995enka   frb    001 0 eng d  a   94045551   a0198182406 (acidb-sfree paper)  a019818347X (pbk)  a9780198183471  aDLCbengcDLCdDLCdEG-ScBUE04a791.4301bSMI2221 aSmith, Murrayq(Murray Stuart),d1962-10aEngaging characters :bfiction, emotion, and the cinema /cMurray Smith.  aReprinted ed.  aOxford ;aNew York :bClarendon Press / Oxford University Press,c2004.  aviii, 265 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. [243]-254) and index.  aThrillers, horror movies and melodramas evoke characteristic kinds of emotional response, yet emotion is not much examined by film or literary theory. This work discusses emotional responses to films, integrating them into a theory of identification with characters in films and literature.  7aMotion picturesxPsychological aspects.2BUEsh 7aIdentification (Psychology)2BUEsh 7aMotion picture audiences.2BUEsh  2BUEsh  bCOMAMEcApril2019  vReading book423Publisher descriptionuhttp://www.loc.gov/catdir/enhancements/fy0606/94045551-d.html423Contributor biographical informationuhttp://www.loc.gov/catdir/enhancements/fy0725/94045551-b.html  2ddc  00102ddc40708BaccahaMAINbMAINcLOWd2019-04-21ePurchaseg750.00l0o791.4301 SMIp000044620r2022-08-24 00:00:00v937.50yBB