Introduction to documentary / (Record no. 28444)

MARC details
000 -LEADER
fixed length control field 01620cam a22003015i 4500
001 - CONTROL NUMBER
control field 19403074
003 - CONTROL NUMBER IDENTIFIER
control field EG-ScBUE
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200811145230.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 161209t20172017inua f b s001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780253026859 (pbk. : alk. paper)
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency DLC
-- EG-ScBUE
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 070.18
Item number NIC
Edition number 22
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Nichols, Bill,
Dates associated with a name 1942-
Relator term author.
245 10 - TITLE STATEMENT
Title Introduction to documentary /
Statement of responsibility, etc Bill Nichols.
250 ## - EDITION STATEMENT
Edition statement Third edition.
264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Bloomington, Indiana :
Name of publisher, distributor, etc Indiana University Press,
Date of publication, distribution, etc [2017]
264 #4 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc c2017
300 ## - PHYSICAL DESCRIPTION
Extent xvi, 258 pages :
Other physical details illustrations ;
Dimensions 26 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Documentary films
General subdivision History and criticism.
Source of heading or term BUEsh
9 (RLIN) 30845
653 ## - INDEX TERM--UNCONTROLLED
Resource For college Communication and mass media
Arrived date list July2020
655 ## - INDEX TERM--GENRE/FORM
Form subdivision Reading book
9 (RLIN) 34232
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book - Borrowing
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Date checked out Price effective from Koha item type
    Dewey Decimal Classification     Baccah Central Library Central Library Lower Floor 05/07/2020 Purchase 1 070.18 NIC 000049230 15/07/2025 06/04/2021 05/07/2020 Book - Borrowing

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