MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03659cam a2200361 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
17888689 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
EG-ScBUE |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230202113750.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
130917t2014 enka f 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781472521903 (pbk.) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
EG-ScBUE |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
777.7 |
| Edition number |
22 |
| Item number |
PUR |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Purves, Barry, |
| Relator term |
author. |
| 9 (RLIN) |
38343 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Stop-motion animation : |
| Remainder of title |
frame by frame film-making with puppets and models / |
| Statement of responsibility, etc |
Barry J. C. Purves. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
Second edition. |
| 264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
London ; |
| -- |
New York : |
| Name of publisher, distributor, etc |
Fairchild Books / Bloomsbury, |
| Date of publication, distribution, etc |
[2014] |
| 264 #4 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Date of publication, distribution, etc |
c2014 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
227 pages : |
| Other physical details |
color illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Source |
rdacontent |
| Content type term |
text |
| Content type code |
txt |
| 337 ## - MEDIA TYPE |
|---|
| Source |
rdamedia |
| Media type term |
unmediated |
| Media type code |
n |
| 338 ## - CARRIER TYPE |
|---|
| Source |
rdacarrier |
| Carrier type term |
volume |
| Carrier type code |
nc |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Basics animation |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes index.<br/> |
| 505 8# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: -- Introduction Chapter 1: What is stop-motion?The beginnings The illusion of movement PhysicalityA continuous performance Special effects Wholly animated filmsProject 1: Find your styleChapter 2: Focusing the idea Stories and themes Approaching the story A change of perspective Out of the mouths of... talking umbrellas? Atmosphere and substance EconomicsProject 2: What's the story?Chapter 3: The puppetsTelling the story with puppets The physical puppet Telling characteristics Stylised movement Replacements 3D printingEyes Hands Puppet size Clay Other techniques Project 3: Find your leading man (or mouse)Chapter 4: PreparationsWorking with others Sets Costume ColourProject 4: Set the sceneChapter 5: Chapter Tools and techniques Practicalities The camera Apps and other low-cost optionsLighting Sound Dialogue Special effects EditingProject 5: Setting up and getting startedChapter 5: Movement and performanceAnimating on the set Lively movementHelping the movement PerformanceProject 6: Make it read!ConclusionA brief history of stop-motionPicture credits Acknowledgements. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation"-- |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Stop-motion animation films. |
| Source of heading or term |
BUEsh |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Animation (Cinematography) |
| Source of heading or term |
BUEsh |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Cinematography |
| General subdivision |
Special effects. |
| Source of heading or term |
BUEsh |
| 651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Source of heading or term |
BUEsh |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Resource For college |
Communication and mass media |
| -- |
Generalities |
| Arrived date list |
June2015 |
| -- |
August2015 |
| 655 ## - INDEX TERM--GENRE/FORM |
|---|
| Form subdivision |
Reading book |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book - Borrowing |